The Picasso of Architecture: Frank Guy?

  He worked as a truck driver during the day, and studied architecture hard at night school at night. He accidentally got admitted to Harvard University in the United States, and dropped out of school unhappy. He started his design career in the US Marine Corps, and the architectural sketches he drew are simply “Fantasy”, and the works he designed can be scolded by buyers. Even “The Simpsons” ridiculed him for being in a trash can An architect looking for inspiration…he dropped a paper ball on the ground that became the Disney Concert Hall. Some people even called him “the choreographer of architecture”, because the houses he made seemed to be “dancing”, always crooked.
  He is Frank Gehry, the “big brother” in the architectural world. His works are quite unique and full of personality. He treats buildings as sculptures and is known for his twisted lines to shape the appearance of buildings. Some people say that what he designed is not architecture at all, while others call him “the Picasso of architecture”.
  He can always turn those weird sketches into real buildings, and his architectural works with a very personal style not only make him famous, but also make him one of the most controversial avant-garde architects in the world today. One, some people call him a master, some call him a lunatic.

  Frank Gehry, born in a Jewish family in Toronto, Canada on February 28, 1929, immigrated to California, the United States at the age of 17, and later became a famous contemporary deconstructivist architect, known for designing buildings with strange irregular curved shapes and sculpture-like appearances famous. He now lives in Los Angeles and is a renowned professor of architecture at Columbia University in New York. Gehry’s design style originated from late modernism, and the most famous building is the Guggenheim Museum in Bilbao, Spain, with a titanium roof.
  In 2010, the “five most important buildings in the world since 1980”, the Guggenheim Museum in Bilbao became the winner with an overwhelming advantage without any suspense, and it received 3 votes more than any other building. more than double.
  It immediately attracted worldwide attention with its beautiful shape, unique structure and brand-new materials, and was exclaimed by the press as “a miracle” and called it “the most meaningful and beautiful art museum in the world.” The regular facade composition and the characteristic metal shell are his design symbols. In 1989, he received the Pritzker Architecture Prize. In 1992, he received the Wolf Prize for the Art of Architecture and was nominated as the recipient of the 1992 Architecture Award, the highest honor in architecture. In 1994, he became the first recipient of the Lillian Gish Award for lifetime contribution to the arts.

  ”When designing a building, at the beginning stage, I don’t know where I will go.” Gehry once said, “If I knew, I would never go there.” He used metal as plasticine
  , Knead into a giant megaphone to create the famous Disney Concert Hall. After 16 years of twists and turns, the concert hall, which cost 274 million U.S. dollars, was designed by Frank Gehry. The sculpture made of steel blocks makes the surrounding high-rise buildings eclipsed.

  In many instances of his work, Gehry detached form from function, and what he built was not a monolithic architectural structure, but a successful idea and abstract urban institution. In many respects, he treats architectural work like sculpture, a three-dimensional structural drawing that takes multiple forms through central processing. Art is often a source of inspiration for Gehry, and his interest in art can be seen in his architectural work. At the same time, art made him use open architectural structures for the first time, and it felt like an invisible change rather than a deliberate one. Often surreal, abstract, and occasionally deeply disorienting, Gehry’s buildings often convey misleading messages. Even so, the buildings designed by Gehry still present their unique, noble and mysterious atmosphere.
  Gehry seems to be out of tune with the American city. He uses a variety of material materials, uses various architectural forms, and integrates humor, mystery and dreams into his architectural system. He once said: “I like the invisible beauty in the construction process, but this beauty is often lost in the technical manufacturing process.” Gehry boldly used open spaces and various raw materials in his early work And build in an informal form. Gehry’s architecture also includes ordinary processes, such as ongoing life, evolving life, and growing life.

  Gehry’s works are quite unique and highly individual, and most of his works are rarely mixed with social and ideological things. He usually uses polygonal planes, inclined structures, inverted forms, and multiple material forms and applies visual effects to patterns. In many cases, he treats architectural work as sculpture, and this three-dimensional structural drawing has multiple forms through centralized processing.
  Gehry’s design scope is quite wide, including shopping malls, houses, parks, museums, banks, restaurants, plywood furniture and curved chairs, etc., and plywood chairs are quite popular in the market, so critics criticized him for being an art Gehry’s signboards are messing around, but Gehry didn’t stop himself from creating, using materials ranging from the publicly accepted wood to the unexpected metal barbed wire. Although his works are quite different from other works, they are more or less connected in some categories, but in comparison with traditional urban functions, forms, spaces and overall shapes, Gai Li’s works also have a sense of superiority. He created a unique style and opened a new chapter in architectural form.

  When Frank Gehry was 85 years old, when faced with a reporter’s question “How to respond to the evaluation of your works as ‘fancy buildings'”, the architect raised his middle finger and angrily yelled at the reporter: “Today, in 98% of the buildings that are constantly being built in the world we live in are pure rubbish. There is no sense of design, no respect for humanity or anything else. However, occasionally a group of architects will make Some special buildings. There aren’t many architects like this, but man, leave us alone. We’re single-minded about our work…I only work for clients who respect the art of architecture.”
  Frank Gehry is like an old urchin with infinite inspiration, always bringing infinite surprises to the world. His works are like bright lights, always beyond the imagination of ordinary people.